Postmodern Principles - Layering Definition - Layering is taking multiple images and making it into a unique piece of art. I chose to use Layering as my Postmodern Principles project on layering because it would be a fun way to create a unique project. As I started my project I went through Car and Driver magazines and chose pictures of objects that I have an interest in and think look cool. I started putting the project together, I placed the pics that I took out of the magazines and decided to use them as a vehicle wrap for a semi, and went a step further and made the project into a semi. Semis are what I enjoy and hope to someday drive. Definitions The Gaze Controlling or drawing attention to how and why familiar imagery is seen and used, especially by questioning or playing upon contradictions between what is being looked at and who is doing the looking. Text and Image Creating meaning through the combined interplay of text and imagery. Artists working in this style often combine images and text that don't obviously go together. This results in a piece of work that build meaning that is beyond the text and image alone. Combined they create a stronger meaning. Representin' Creating imagery that proclaim one's identity and affiliations; locating an artistic voice within a particular history and culture of origin. Questions of race, class , cultural identity and national identity are addressed in these types of work. Recontextualization Positioning familiar imagery in relation to pictures, symbols, or texts that it is not usually associate with. A process that extracts text, signs or meaning from its original context in order to introduce it into another context. Since the meaning of texts and signs depend on their context, recontexturaliation implies a change in the communicative purpose to. Hybridity Using a multiplicity of media and/or a blending of cultural sources in order to investigate a subject. Appropriation To appropriate is to borrow. Borrowing imagery from historical and mass media sources, such as found photos and advertising. Through the act of borrowing, the artist manipulates, adds to. Appropriation is the practice of creating a new work by taking a pre-existing image from another context—art history, advertising, the media—and combining that appropriated image with new ones. Or, a well-known artwork by someone else may be represented as the appropriator’s own. Such borrowings can be regarded as the two-dimensional equivalent of the found object. But instead of, say, incorporating that “found” image into a new collage, the postmodern appropriator redraws, repaints, or rephotographs it. This provocative act of taking possession flouts the modernist reverence for originality. Layering Overlapping and overlaying a multiplicity of images, devaluing the sacredness of any one picture. Juxtaposition Placing or combining contrasting imagery in such a way as to create new meaning from the interplay of clawing concepts. The term juxtaposition is useful in helping viewers to discuss the familiar shocks of contemporary life in which images and objects from various realms and sensibilities come together in intentional clashes or in random happenings. The results may be shocking, political, they may destroy, but always make the viewer think about the subject in a way that goes beyond the original objects or images. Appropriation To appropriate is to borrow. Borrowing imagery from historical and mass media sources, such as found photos and advertising. Through the act of borrowing, the artist manipulates, adds to. Appropriation is the practice of creating a new work by taking a pre-existing image from another context—art history, advertising, the media—and combining that appropriated image with new ones. Or, a well-known artwork by someone else may be represented as the appropriator’s own. Such borrowings can be regarded as the two-dimensional equivalent of the found object. But instead of, say, incorporating that “found” image into a new collage, the postmodern appropriator redraws, repaints, or rephotographs it. This provocative act of taking possession flouts the modernist reverence for originality. Works cited : Google search The 2 pics I have included below both show examples of layering. The first one with the yellow and flowers show the flowers almost popping out of it. The one with the license plate shows many layers of tabs from years goen by that also creates many layers.
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AuthorI'm in 10th grade and I like dirt biking. Archives
May 2021
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